Marsha Glazière is an accomplished American sculptor, author, and contemporary mixed media painter. Her large paintings dramatically synthesize the recognizable in a semi-abstract style and masterfully incorporate colláge onto rich impasto surfaces. She transforms industrial metals into graceful, life-sized figures with exquisite detail. Glazière’s bas-relief paintings brilliantly showcase her diverse artistic aptitude. One can almost feel the emotion of her strong figures that literally project their message as they move beyond the traditional confinement of a frame.Glazière received a BFA degree from the University of Illinois where she studied painting and textiles. Her advanced studies include a Master's Painting Program under the direction of painter Nathan Oliveira of Stanford University, a Monotype Study Program under the direction of artist Michael Mazur of Yale University, and Anatomical Study at the University of Washington School of Medicine.Glazière’s artwork has been featured in over 150 exhibitions in museums, galleries, corporations, and universities throughout the world. Her work is also held in many private and public collections. Her work is held as part of the Permanent Collection of the NSU Art Museum Fort Lauderdale, AmSouth Bank, Artbank, and the University of Washington. Glazière’s commissioned work includes a painting commemorating the 20-year anniversary of the achievements of Olympic Gold Medalist Nancy Hogshead-Makar, a life-sized bronze statue of a baseball player in honor of the Negro Baseball League, and the enormous 10’ x 14’ sculpted architectural friezes for the main entablature entrance of Bolles School. Her murals decorate the walls of the pediatric ward of the Grenada National Hospital in St Georges, Grenada, West Indies, and the Casa Colonial Hotel in Oaxaca, Mexico.Glazière is passionate about activism through art. She is astutely current on the global state of affairs and is often compelled to incorporate civil, political, and environmental concerns into her artwork as can be seen in Quake, Metamorphosis…. Bound, and Science….Dismissed. She states: “Illuminating the issues of our time through visual expression is a meaningful and artistic way to shed light on their importance.” Her most extraordinary artwork is 192″w x 69″h x16″d in size and contains eleven female figures draped in her own country’s flag. The spectacular artwork’s message is one of international peace. Glazière believes that we can achieve this type of peace by “reaching deep within ourselves, beyond borders, languages, doctrines, politics, culture, and the perceived need for territorial and ideological dominance to find and celebrate our human commonality in unity.”During Glazière’s three-year residency for the Seattle Public School District in Seattle, WA, she was the recipient of a grant from the United States Department of Housing and Urban Development where she piloted and directed the Visual Arts Program for the City of Seattle’s Summer Youth Employment Program. She also received a Cultural Education Grant from the King County Arts Commission to teach art to urban-at-risk youth in the Seattle Public Schools in connection with United Indians of All Tribes Foundation and YouthCare, Inc.Glazière has held Visiting Artist positions in Oaxaca, Mexico on two different occasions, one of those sponsored by Rice University in Houston, TX. She has taught at the Bellevue Art Museum School in conjunction with Western Washington State University, as well as Florida International University and the University of North Florida.

Metamorphosis…Bound

Metamorphosis….Bound came about as a result of my outrage at the abhorrent ritual of female genital mutilation of young girls—still practiced in some African, Asian and Middle East countries. The concept is rooted in an attempt to control women’s sexuality, thereby preventing their full unobstructed metamorphosis and full equality as they mature into womanhood. Dimensions72″ w x…